What are Orange Crush amps good for? (2023)

What are Orange Crush amps good for?

Orange amps are the best choice for modern metal and hard rock. They can also be a good fit if you're playing in a classic rock or punk band. While you can still use Orange amps in various music styles, they have a distinct sound that makes them great in these genres.

Whether you're looking for something that's pure simplicity, designed to offer a specific texture or you're just wanting to deliver that classic clean tone, there's no denying the gleeful nature of plugging your guitar straight into an Orange Amplifier.

A potent hybrid strain, Orange Crush has an 80 percent sativa and 20 percent indica ratio. It is popular for its cerebral effects that result in a euphoric and calm mental high. An amazing, all-purpose strain, Orange Crush will make you feel energized, uplifted, and focused.

“Thick” is often used to describe the Orange gain and its very apt. Oranges tend to push the lower mids more than Marshall's which push the upper mids. Having said that every amp is different and it's best to try and compare the models you might be considering to see which sounds best to your ears.

But choosing to use an Orange amp doesn't just give you access to amazing, unique sounds. It also marks you out as someone who knows their gear. As someone who obviously knows what good tone is. And as someone who is proud of the fact that their amp isn't a boring black box.

The Super Crush 100 is everything I could want in an amp. It's plenty loud enough to play with a drummer and quiet enough to play with the kids asleep. It takes pedals extremely well but still sound great on its own.

Bands such as Black Sabbath and Led Zeppelin were amongst the most famous Orange users. Jimmy Page still uses Orange amps today.

Orange Amplifiers might be synonymous with the grunt and grit of analogue circuitry, oozing with creamy mids, distinctive lows and highs, accurately representing the full frequency range. The beefed-up brother of the British sound; gnarly and rugged, but approachable and easy to understand.

A quality high-gain amp is key to Slipknot's choppy distortion. Jim Root swears by his big, bold Orange amps. He does have a signature Dark Terror, but he doesn't always use it in a live setup – he needs something with a bit more oomph to match the size of their shows.

Orange Krush comes from the 'Bubba Kush Series' by The Bank Cannabis Genetics (Denver, CO). It is a masterful cross of Tangie—a fruity, sativa-dominant strain—and Bubba Kush, an indica-dominant strain known for its unique calming effects.

Why do they call it Orange Crush?

Originally, Orange Crush included orange pulp in the bottles, giving it a "fresh squeezed" illusion, even though the pulp was added rather than remaining from squeezed oranges.

The “crush” part of “Ward's Orange Crush” was kept in the name to refer to the process of extracting oils from orange skins to achieve the drink's signature flavor. At the time, orange pulp—without the juice—was added to the recipe, and in 1921, real juice was finally introduced.

Orange amplifiers are not best known for their clean tones, but it is still possible to achieve a very nice clean tone by setting up the amp properly. Here's where to start: Use the “clean” or “tiny terror” channel. Turn the master volume up to a comfortable level and set the gain/ overdrive as low as possible.

The pedals Orange have developed are designed to sound good with pretty much anything, obviously including our amps.

Both Orange and Marshall amps are capable of playing a wide range of music styles. However, Marshall amps often have a crunchier tone, making them most suitable for rock and roll, whilst Orange amps sound more fuzzy and boomy, making them great for heavy metal.

The Quick Answer. Fender amps are best known for their “sparkly” clean tones whereas Orange amps are usually better at distorted tones. Orange amps boost the mid-range more than Fender amps which have cut mids. Fender is usually best at country, blues and rock, whilst Orange amps excel at metal and heavy rock.

Fleetwood Mac, John McVie

Fleetwood Mac's story with Orange began in October 1968, when their road manager Dinky Dawson brought guitarist Peter Green to the Orange Shop where they placed an order for the first ever Orange PA, and just a few weeks later, the band got six 100-watt amps and sixteen cabs.

Orange amps are supremely versatile. Big on your heavy metal but like playing the occasional indie tune? The Rocker, Crush and Rockerverb will all work equally well for those aggressive tones and snappy Strat and Tele sounds. There really is something for everyone, whatever music you play.

The amps in the Dual Dark series are Orange's highest gain amplifiers yet with each channel having four… yes four stages of gain. Both channels feature individual gain and master volume controls which give easy access to everything from clean to overdrive to insane distortion at the twist of a knob.

For the sake of somewhat arbitrary comparison, a small gig would be something like a coffeehouse and an audience of 25-100, and a large gig is anything that involves an audience of more than 500. Let's start with how much power you need and your onstage volume. 100 watts, like the Rumble 100, ought to do nicely.

Is Orange Crush 20 loud enough?

It has plenty of punch but it is definitely on the quieter side. Ideal for beginners and at-home players. Orange Crush 20RT – This is the amp I personally own. It has a 20W 1×8” Speaker of the World speaker and this provides AMPLE power for at-home practice and jamming with a full band.

Jimi Hendrix's Amps

Jimi Hendrix was one of the earliest users of Marshall amplifiers, and for most of his career he powered his sound with three 100-watt Super Lead valve amp heads.

Kurt's amplifier of choice for live performance was a combination of the Mesa Boogie Studio . 22 acting as a preamp and a Crest 4801 as his power amp. The first iteration of this setup was the Mesa Boogie paired with Crown Power Base 2 800w Power Amp, but Kurt felt the Crest worked better with the Mesa preamp.

What a lot of people do not know is that the 1964 6G6-B Bassman was actually the most recorded amplifier by The Beatles. The amp was first used by Paul McCartney as his main bass amp from 1965 to mid 1967 (he did use a Vox during this time but not as much as the Bassman).

Our flagship Orange AD30 is an ideal midpoint between the classic country tone and that synonymous British sound that harks back to the heyday of the all-valve amplifier. Its balanced and natural compression is the perfect all-rounder amp for country picking.

By packing a full, mature bass tone into combo size, Orange keeps bassists happy and also delights them further by adding in some other great components! With 50 watts of power and a Buffered Effects Loop, you have more than enough for some practice and jamming!

However, while the amps can achieve some blistering tones they can also be used in a variety of genres beyond aggressive rock and metal music.

This tone is pretty simple, Eddie Van Halen used his legendary Marshall Plexi amplifier famously cranked to the hilt with every knob turned up to 10 (or 11!) and his iconic Frankenstein guitar with the single humbucker in the bridge. The reverb and room mic effects mixed in also have an influence on this recording.

What amps did Pink Floyd use? David Gilmour of Pink Floyd is well known for using Hiwatt and Fender amplifiers such as the Fender Twin Reverb.

The Smashing Pumpkins used Marshall amps and cabinets almost exclusively in the early to mid-90s. JCM800s were used heavily by both Corgan and Iha when recording Gish and Siamese Dream, using its famously crunchy-sounding distortion for rhythm tracks on their debut in particular.

How strong is orange Kush?

Orange Kush is a balanced 50/50 strain that can have a wide range of THC levels - some report it as low as 13% while the higher end reaches 24%, so keep that in mind before you take a hit or two.

Directions. Fill a pint glass with ice cubes. Pour in orange-flavored vodka, triple sec, and orange juice, then top with lemon-lime soda. Mix well and garnish with orange slice.

Crush is a brand of carbonated soft drinks owned and marketed internationally by Keurig Dr Pepper, originally created as an orange soda, Orange Crush.

It was the fall of 1995 — a couple years after the restaurant opened — when Chris Wall, co-owner of Harborside, and his friends Jerry Wood and Kelly Flynn created the now-famous seaside drink.

Harborside owners Chris Wall and Lloyd Whitehead, along with their friend Jerry Wood and bartender Kelly Flynn, invented the Crush more than 20 years ago, screwing around with a bottle of Stoli O on a slow Sunday afternoon in the fall of 1995.

The drink was invented in Ocean City, Maryland

Ocean City is the go-to place to party in the summer in Maryland, and if you're in the area, check out Harborside Bar & Grill, where bartenders claim to have created the Orange Crush in 1995.

As the original orange soda, Crush has been delighting consumers with a wide range of crowd-pleasing fruity flavors. Available in Orange, Grape, Strawberry, Pineapple, Watermelon, Grapefruit and Peach, Crush has enough variety for the whole family to enjoy.

If you don't have a powerful enough amplifier to reach the volume levels you want, you can damage the speakers by feeding them too much high-frequency energy by driving the amplifier into clipping. It's the extra power in these harmonics that damages speakers.

Yes, it's true that the higher the power (watts), the louder and cleaner the speakers will play. Small differences in power, however, don't make much of an audible change. In order to perceptively hear a difference (a 3dB increase), the power would have to double.

Are Orange amplifiers solid state?

Orange has extended its Crush series of solid-state guitar amps with the all-new Super Crush 100 Head and Combo.

If you like heavy metal or hard rock music, an Orange amplifier may be an excellent choice for you. Orange amplifiers are louder and more powerful than Fender's, making it easier to play at high volume. Orange tones are also more distinctive and unmistakable than other tones.

Since then Orange hasn't put a foot wrong. Unlike many of its competitors, it has refused to have amps OEM-produced. Instead it has built its own factories in China and thus controls quality.

Whether you're looking for something that's pure simplicity, designed to offer a specific texture or you're just wanting to deliver that classic clean tone, there's no denying the gleeful nature of plugging your guitar straight into an Orange Amplifier.

Blues: amplified

The Orange Rocker 32 is the perfect amp to achieve that level of grime. All valve monster tone within the footprint of a self-contained stereo combo. This is an amp designed for experimentation.

Put simply, they sound absolutely incredible. Orange pride themselves on making amps of the highest quality. No silly switches, no crazy features, just the best components they can get their hands on. One sound that will put others to shame, no matter the musical genre.

The two most popular ones are Class A/B and Class D. Also there are hybrid options. Class A/B delivers the best distortion-free sound while Class D is ultra-efficient and doesn't need cooling. The drawback with Class A/B is that it's only 65% efficient the rest is heat which needs to be vented.

To be pedantic, you can touch the caps, but not the leads connecting them to the circuit. Mostly, it's best not to touch any bare wires at all until several minutes after the amp is unplugged. But no matter what, if you don't know what you're doing, unplug the amp.

Is Orange better than Marshall?

The Quick Answer. Orange amps sound more fuzzy when distorted compared to Marshall amps which sound more saturated and crunchy. Marshall amps are considered more versatile whereas Orange amps more suitable for heavier genres of music like metal. Marshall also has a larger range of amplifiers.

Our amps were covered in orange, but I believed that we should also make claim to the fruit. The Orange tree was the first thing that came to mind, so the Orange World Tree was included in the design – its roots encircling the world.

If you want a loud, distorted sound, then an Orange amplifier is probably not your best bet. But if you're looking for a clean, bright sound, then an Orange amplifier could be a good choice. Of course, the only way to really know if an Orange amplifier is right for your acoustic guitar is to try it out.